(A free worksheet is included below. Don’t miss it!) So I’m parked behind a police car. He’s eating a sandwich. I’m eating a sandwich. And I’m thinking: how good is my aim? I could pull up to his window like I’m parallel parking and just sort of chuck my sandwich at his driver side …
What can writers do when following the ‘show, don’t tell’ rule bloats their writing? And what does it really mean to “show” anyway? Finally, the solution.
When writing advice conflicts, what can writers do? Here’s one way to find the right path to your best story when you’re not sure which path to follow.